Inherent Vice (2014)

Inherent Vice (2014)

Inherent Vice (2014)

We are doing the work of pathetic, lazy morons.

We are doing the work of pathetic, lazy morons.

We are doing the work of pathetic, lazy morons.

We are doing the work of pathetic, lazy morons.

We are doing the work of pathetic, lazy morons.

We are doing the work of pathetic, lazy morons.

We are doing the work of pathetic, lazy morons.

We are doing the work of pathetic, lazy morons.

We are doing the work of pathetic, lazy morons.

(via avril-lasagne)


Bill: Why didn’t you tell me?The Bride: I don’t know… because I’m a bad person.Bill: No. You’re not a bad person. You’re a terrific person. You’re my favorite person, but every once in a while, you can be a real cunt.
Kill Bill Vol.2 (2004)

Bill: Why didn’t you tell me?The Bride: I don’t know… because I’m a bad person.Bill: No. You’re not a bad person. You’re a terrific person. You’re my favorite person, but every once in a while, you can be a real cunt.
Kill Bill Vol.2 (2004)

Bill: Why didn’t you tell me?The Bride: I don’t know… because I’m a bad person.Bill: No. You’re not a bad person. You’re a terrific person. You’re my favorite person, but every once in a while, you can be a real cunt.
Kill Bill Vol.2 (2004)

Bill: Why didn’t you tell me?The Bride: I don’t know… because I’m a bad person.Bill: No. You’re not a bad person. You’re a terrific person. You’re my favorite person, but every once in a while, you can be a real cunt.
Kill Bill Vol.2 (2004)

Bill: Why didn’t you tell me?
The Bride: I don’t know… because I’m a bad person.
Bill: No. You’re not a bad person. You’re a terrific person. You’re my favorite person, but every once in a while, you can be a real cunt.

Kill Bill Vol.2 (2004)

(via harmonykorine98)


Laugh and the world laughs with you. Weep and you weep alone.

Laugh and the world laughs with you. Weep and you weep alone.

Laugh and the world laughs with you. Weep and you weep alone.

Laugh and the world laughs with you. Weep and you weep alone.

Laugh and the world laughs with you. Weep and you weep alone.

Laugh and the world laughs with you. Weep and you weep alone.

Laugh and the world laughs with you. Weep and you weep alone.

Laugh and the world laughs with you. Weep and you weep alone.

Laugh and the world laughs with you. Weep and you weep alone.

(via kubricksodyssey)

fuckyeahbehindthescenes:

In order to acquaint himself with his three lead actors, director Alfonso Cuarón had each of them write an essay about their characters, from a first-person point of view. Emma Watson wrote a 10-page essay. Daniel Radcliffe wrote a one-page summary, and Rupert Grint never even turned his in. (x)

Harry Potter and the Prisoner of Azkaban (2004)


You’re a weight on me. You’re a b u r d e n . You’re just fucking dragging me down

You’re a weight on me. You’re a b u r d e n . You’re just fucking dragging me down

You’re a weight on me. You’re a b u r d e n . You’re just fucking dragging me down

(via filmforlife)






Django (1966) (top), Sukiyaki Western Django (2007) (middle), Django Unchained (2012) (bottom)









Django (1966) (top), Sukiyaki Western Django (2007) (middle), Django Unchained (2012) (bottom)









Django (1966) (top), Sukiyaki Western Django (2007) (middle), Django Unchained (2012) (bottom)

Django (1966) (top), Sukiyaki Western Django (2007) (middle), Django Unchained (2012) (bottom)

(via tarntino)


[x]

[x]

[x]
jcapulets:

Why can’t you be happy for me and then go home and talk about me behind my back like a normal person?
jcapulets:

Why can’t you be happy for me and then go home and talk about me behind my back like a normal person?

jcapulets:

Why can’t you be happy for me and then go home and talk about me behind my back like a normal person?

(via avril-lasagne)

classicmoviescenes:

The match cut is a cut between two shots which match graphically. This match establishes a sense of continuity and interconnectedness between two different spatial or temporal spheres.
Psycho (1960), directed by Alfred Hitchcock.
Lawrence of Arabia (1962), directed by David Lean.
The Graduate (1967), directed by Mike Nichols.
2001: A Space Odyssey (1968), directed by Stanley Kubrick.
classicmoviescenes:

The match cut is a cut between two shots which match graphically. This match establishes a sense of continuity and interconnectedness between two different spatial or temporal spheres.
Psycho (1960), directed by Alfred Hitchcock.
Lawrence of Arabia (1962), directed by David Lean.
The Graduate (1967), directed by Mike Nichols.
2001: A Space Odyssey (1968), directed by Stanley Kubrick.
classicmoviescenes:

The match cut is a cut between two shots which match graphically. This match establishes a sense of continuity and interconnectedness between two different spatial or temporal spheres.
Psycho (1960), directed by Alfred Hitchcock.
Lawrence of Arabia (1962), directed by David Lean.
The Graduate (1967), directed by Mike Nichols.
2001: A Space Odyssey (1968), directed by Stanley Kubrick.
classicmoviescenes:

The match cut is a cut between two shots which match graphically. This match establishes a sense of continuity and interconnectedness between two different spatial or temporal spheres.
Psycho (1960), directed by Alfred Hitchcock.
Lawrence of Arabia (1962), directed by David Lean.
The Graduate (1967), directed by Mike Nichols.
2001: A Space Odyssey (1968), directed by Stanley Kubrick.

classicmoviescenes:

The match cut is a cut between two shots which match graphically. This match establishes a sense of continuity and interconnectedness between two different spatial or temporal spheres.

Psycho (1960), directed by Alfred Hitchcock.

Lawrence of Arabia (1962), directed by David Lean.

The Graduate (1967), directed by Mike Nichols.

2001: A Space Odyssey (1968), directed by Stanley Kubrick.

(via harmonykorine98)