Django (1966) (top), Sukiyaki Western Django (2007) (middle), Django Unchained (2012) (bottom)









Django (1966) (top), Sukiyaki Western Django (2007) (middle), Django Unchained (2012) (bottom)









Django (1966) (top), Sukiyaki Western Django (2007) (middle), Django Unchained (2012) (bottom)

Django (1966) (top), Sukiyaki Western Django (2007) (middle), Django Unchained (2012) (bottom)

(via tarntino)


[x]

[x]

[x]
jcapulets:

Why can’t you be happy for me and then go home and talk about me behind my back like a normal person?
jcapulets:

Why can’t you be happy for me and then go home and talk about me behind my back like a normal person?

jcapulets:

Why can’t you be happy for me and then go home and talk about me behind my back like a normal person?

(via avril-lasagne)

classicmoviescenes:

The match cut is a cut between two shots which match graphically. This match establishes a sense of continuity and interconnectedness between two different spatial or temporal spheres.
Psycho (1960), directed by Alfred Hitchcock.
Lawrence of Arabia (1962), directed by David Lean.
The Graduate (1967), directed by Mike Nichols.
2001: A Space Odyssey (1968), directed by Stanley Kubrick.
classicmoviescenes:

The match cut is a cut between two shots which match graphically. This match establishes a sense of continuity and interconnectedness between two different spatial or temporal spheres.
Psycho (1960), directed by Alfred Hitchcock.
Lawrence of Arabia (1962), directed by David Lean.
The Graduate (1967), directed by Mike Nichols.
2001: A Space Odyssey (1968), directed by Stanley Kubrick.
classicmoviescenes:

The match cut is a cut between two shots which match graphically. This match establishes a sense of continuity and interconnectedness between two different spatial or temporal spheres.
Psycho (1960), directed by Alfred Hitchcock.
Lawrence of Arabia (1962), directed by David Lean.
The Graduate (1967), directed by Mike Nichols.
2001: A Space Odyssey (1968), directed by Stanley Kubrick.
classicmoviescenes:

The match cut is a cut between two shots which match graphically. This match establishes a sense of continuity and interconnectedness between two different spatial or temporal spheres.
Psycho (1960), directed by Alfred Hitchcock.
Lawrence of Arabia (1962), directed by David Lean.
The Graduate (1967), directed by Mike Nichols.
2001: A Space Odyssey (1968), directed by Stanley Kubrick.

classicmoviescenes:

The match cut is a cut between two shots which match graphically. This match establishes a sense of continuity and interconnectedness between two different spatial or temporal spheres.

Psycho (1960), directed by Alfred Hitchcock.

Lawrence of Arabia (1962), directed by David Lean.

The Graduate (1967), directed by Mike Nichols.

2001: A Space Odyssey (1968), directed by Stanley Kubrick.

(via francois-truffaut)

posthawk:

Taxi Driver (1976)
posthawk:

Taxi Driver (1976)
chadhartigan:

The Marriage Circle (1924) Ernst Lubitsch
chadhartigan:

The Marriage Circle (1924) Ernst Lubitsch
chadhartigan:

The Marriage Circle (1924) Ernst Lubitsch
chadhartigan:

The Marriage Circle (1924) Ernst Lubitsch
chadhartigan:

The Marriage Circle (1924) Ernst Lubitsch

chadhartigan:

The Marriage Circle (1924)
Ernst Lubitsch

(via keyframedaily)


I’m willing to let your child wither and die inside you if that’s what’s required.

I’m willing to let your child wither and die inside you if that’s what’s required.

I’m willing to let your child wither and die inside you if that’s what’s required.

I’m willing to let your child wither and die inside you if that’s what’s required.

I’m willing to let your child wither and die inside you if that’s what’s required.

I’m willing to let your child wither and die inside you if that’s what’s required.

I’m willing to let your child wither and die inside you if that’s what’s required.

I’m willing to let your child wither and die inside you if that’s what’s required.

I’m willing to let your child wither and die inside you if that’s what’s required.

(via kubricksodyssey)


Jon Stewart asking Quentin Tarantino about his role in Pulp Fiction (1994)

Jon Stewart asking Quentin Tarantino about his role in Pulp Fiction (1994)

Jon Stewart asking Quentin Tarantino about his role in Pulp Fiction (1994)

Jon Stewart asking Quentin Tarantino about his role in Pulp Fiction (1994)

Jon Stewart asking Quentin Tarantino about his role in Pulp Fiction (1994)

(via tarntino)